Bard Music Festival | Program Nine | The Epic Power of Tradition

This program comprises choral and orchestral music by Martinů and perhaps his finest student, Moravia’s Jan Novák. Set to his own Latin text, Novák’s moving cantata Ignis pro Ioanne Palach commemorates a desperate young activist who immolated himself to protest the end of the Prague Spring. As a former professional violinist, Martinů wrote for the instrument with intimate understanding, and his Second Violin Concerto stands among his mature masterpieces. It was commissioned by the great Mischa Elman, who premiered the work with Koussevitzky and the Boston Symphony, before performing it for many years, as did Isaac Stern and Josef Suk. Completing the program are an aria from Martinů’s one-act opera Ariane, a surrealist take on the Theseus myth that was inspired by Maria Callas, and The Epic of Gilgamesh, the composer’s only large-scale oratorio. Scored for narrator, soloists, choir, and orchestra, this takes its text from an English translation of the Mesopotamian saga, and is notable for some of Martinů’s most inspired choral writing.

Program

6 pm • Preconcert talk: Michael Beckerman
7 pm • Performance: Leah Hawkins, soprano; John Matthew Myers, tenor; Norman Garrett, baritone; William Guanbo Su, bass-baritone; TBA, violin; Bhavesh Patel, speaker, The Epic of Gilgamesh; Bard Festival Chorale, James Bagwell, choral director; American Symphony Orchestra, conducted by Leon Botstein, music director

Jan Novák (1921–84)
Ignis pro Ioanne Palach (1969)

Bohuslav Martinů (1890–1959)
Ariane (Aria)
Violin Concerto No. 2, H293 (1943)
The Epic of Gilgamesh, H351 (1955)

Tickets: https://tickets.fishercenter.bard.edu/3454/3444

Livestream: https://tickets.fishercenter.bard.edu/3431/3451